BRIGITTE ZIEGER SHOOTING WALLPAPER
However, it has less to do with the commodities they represent than with the cultural networks that piece them together and articulate them in larger wholes, conditioning their manufacture, their use. Was it created mostly from animation? I manipulate these images in different ways, displacing them into other contexts and other artistic forms. Photo by Doug Eng. To begin a new work, the Internet is an important source.
|License:||For Personal Use Only|
|iPhone 5, 5S resolutions||640×1136|
|iPhone 6, 6S resolutions||750×1334|
|iPhone 7, 7 Plus, 8, 8 Plus resolutions||1080×1920|
|Android Mobiles HD resolutions||360×640, 540×960, 720×1280|
|Android Mobiles Full HD resolutions||1080×1920|
|Mobiles HD resolutions||480×800, 768×1280|
|Mobiles QHD, iPhone X resolutions||1440×2560|
|HD resolutions||1280×720, 1366×768, 1600×900, 1920×1080, 2560×1440, Original|
Was it created mostly from animation? Tell us a little bit about yourself.
I manipulate these images in different ways, displacing them into other contexts and other artistic forms. I decided to react to this very specific condition: I wanted to make a piece that disrupts the tranquility of this exclusive moment, so I chose to position myself inside the framework of a bourgeois wallpaper to provoke the audience.
It is the artist who shoots at the viewer. Subscribe Send blog posts to your inbox and never miss a post!
Shooting Wallpaper: Brigitte Zieger
This responds to wars around the globe, but it also addresses how the iconography of war is embedded in everyday brigitre and our broader social consciousness. Each one of my series is based on different gestures or techniques introduced into the semantic field of the artwork. Perturbing genres, changing the rules, transcending categories while entwining them, upsetting reference points, juggling from one terrain to another.
However, it has less to do with the commodities they represent than with the cultural networks that piece them together and articulate them in larger wholes, conditioning their manufacture, their hsooting. How did you select the different noises?
A sense of play and critique exists in much of my works, through a practice that includes video, sculpture and drawings. Follow the Blog Submit.
Since you work in several different media how do you conceive of a project? Photo by Doug Eng. The conflicts penetrate our comfortable homes and become part of privacy. I was born in Germany Mannheim and moved to Paris when I was nineteen years old. Social Media The Latest.
To begin a new work, the Internet is an important source. I keep all of the patterns intact and then add the figure, which is integrated with a compositing software. Here nature is still the perfect place of living; it challenges and confronts a period of European universalism and expansion. I wanted to use all types of gun sounds, reaching from old pistols to modern arms, from hunting weapons to military guns, again the sounds go through this long history of violence.
I employ icons or social symbols, such as a full size Mercedes Benz, guns, hairstyle or bombs. NOLA will open today for brunch from 11 a. It seems to me impossible to undertake any artistic endeavour without some political connection.
Artwork Title art-medium art-year dimensions. What is your artistic process like? What is your artistic training? We asked Zieger to share with us insight into her work and process. In this way, I reactivate these images and develop a renewed reading of them, which I want to be disturbing for viewers. The galleries close at 5 p.
Art & Ideas: A Q&A with Artist Brigitte Zieger
Menus Bar Brigihte Facility Rentals. The main interest for me is how history shapes our perception and conditions our view on gender and social stereotypes. Animated film with sound.